Sean’s Original Music Catalog
Title	Year of Comp.	Type	Description and Comments
All Five	1990	Jazz Combo	My first complete original composition, written for jazz sextet and performed on my senior bassoon recital.  Later re-recorded as in a more fusion setting and currently featured by The Todd Butler Group.  As the name suggests, it a modal 5/4 with a straight-ahead swing 5/4 bridge.
Guess Who?	1988	Big Band	My first big band composition under the tutelage of Hank Levy. The title comes from the amount of plagiarism from Hank’s chart “Peek Into a New Time Zone” – all in 7/4 and 14/8.
Snap, Crackle, & Bop	1989	Big Band	My first attempt at the adventurous world of 4/4.  A conventional, yet charming, straight-ahead swing chart in the style of Sammy Nestico.
Latin Inquisition	1989	Big Band	One of my favorite Hank Levy charts “Chain Reaction” is all in 13/4. One of my favorites Chuck Mangione compositions is “The Hill Where the Lord Hides.” This composition is a collision of the two!  Hank… meet Chuck!
Odd Funk-N-Stuff	1991	Jazz Fusion Group	Originally recorded in my basement on a 4-track with Kyle Coughlin (sax & flute) and Chris Holt (guitar).  Currently exists as a solo MIDI project and is featured on the MP3 sites!  One of my personal favorites. The name says it all! Like Pat Metheny meets Tower of Power. Mostly a heavy funk groove but covers a lot of mucial territory with strong melodies and all kinds of crazy odd-meters... 10/4, 7/4, 22/4, 9/4, 5/4, etc. plus a wild surprise ending!
Que Pasa	1992	Latin Jazz Fusion	This 4/4 composition recorded in my basement on a 4-track with Kyle Coughlin (sax, flute, & co-writer) and Chris Holt (guitar).  It features a great latin groove contrasted with a heavy-electric funk solo section.
Takerimba	1991	New Age – Solo MIDI Project	Named after the Marimba synthesizer patch name I used in its creation, Takerimba was a project to utilize a 23/8 time signature – taken from one of the most sophisticated compositions of Don Ellis, “How’s This for Openers?”  Composed for 3 mallet instruments.
Funky Chick	1993	Electronic Jazz Fusion	Recorded in my basement on a 4-track, “Funky Chick” relatively simple 7/4 funk groove featuring a MONSTER guitar solo by Tom Hirschman.  Composed in the style of Chick Corea first Electric Band album.
Symphony #7	1993	Electronic Jazz Fusion	Recorded in my basement on a 4-track with Kyle Coughlin (sax, clarinet, & flute) and Chris Holt (guitar).  An insane combination of musical elements, all in 7/4 or 7/8 and in a quasi-sonata form.
The Funeral	1993	New Age	Sad/morose new age mood music. Co-written by Chris Holt as background scoring music.
Circle	1993	New Age	Happy new age mood music with a classical overtones. Written as background “wallpaper” type music.
Disney Medley	1994	Solo MIDI Project	The name says it all!  The musical mind of Sean Fenlon meets all those wonderful Disney tunes!
Inside Outside Upside-down (I.O.U.)	1995	Electronic Jazz Fusion	Modern synth-based 5/4 groove which romps through several characters and moods. Depeche Mode meets Dave Gruisin! Currently exists as a solo MIDI project and is featured on the MP3 sites!
Hiatus IV	1995	Electronic Jazz Fusion	An intense synth-based romp through 11/4 & 22/8 meters w/ a strong Pat Metheny influence. Killer keyboard solo! Currently exists as a solo MIDI project and is featured on the MP3 sites!
The Wedding Song	1995	Smooth Jazz	A slow dance ballad built from a beatiful & gentle melody. Light piano solo interlude section in a slow 5/4.  Currently exists as a solo MIDI project and is featured on the MP3 sites!
I’m Back	1995	Latin Jazz	A crazy latin jam in 5/4 and 9/4 featuring a big musical “pyramid” build.
Song for Stuart	1997	Jazz Fusion	Composed for Stuart Hart for his upcoming CD Project.  Based loosely on The Brecker Brothers, but all in 7/4.
Freedom Jazz Dance (arrangement)	1997	Jazz Fusion	Yes, I kept this in 4/4, but added a super-cool piano cadenza and all sorts of inside-outside polyrhythms.